Some British Twitter users were puzzled after seeing “Marxism” trending, just because a boy-band singer put on a dress for a Vogue cover, and a conservative pundit viewed it as part of a radical-left cultural conspiracy in action.
The December issue of the fashion magazine features One Direction’s Harry Styles, the first male to ever get a solo cover in Vogue. Styles “makes his own rules” the cover stated, backing the blurb with a photo of the star wearing a dress. More photos of gender-bending clothing choices came inside and were used to promote the story on social media.
One of the negative reactions to the provocative photo-op came from conservative commenter Candace Owens, who declared that Western society desperately needed manly men. “The steady feminization of our men at the same time that Marxism is being taught to our children is not a coincidence. It is an outright attack,” she tweeted.
And this is how the classical teaching of class struggle, which has little to do with gender-appropriate garments, climbed to the top of Twitter, puzzling some commenters…
…and amusing quite a few others.
Owens is far from being the only person to take issue with Styles’ attire, of course. Likewise, there is no shortage of people defending his non-masculine outfits – either on principle or by arguing that there is nothing feminine about dresses at all.
Incidentally, last week a celebrity from the other side of the cultural war fronts had posted a much-mocked take on what people should and should not wear, based on their gender. Feminist commenter Anita Sarkeesian lashed out at the TV series ‘The Mandalorian’ for showing a female character in chest armor, which, unlike for a male counterpart, has a bulge better fitting a woman’s anatomy.
Fans were quick to point out that the depiction was absolutely true to the Star Wars lore and hardly befitting the derogatory term “boob armour” that Sarkeesian used. Also known as “bikini plate” it refers to a trope in fiction, in which women warriors don armor too small to be practical, but just the right size to cater to the tastes of horny males.
The bassist with legendary English rock band The Smiths, Andy Rourke, has died at the age of 59, the group’s former guitarist Johnny Marr has announced.
“It is with deep sadness that we announce the passing of Andy Rourke after a lengthy illness with pancreatic cancer,” Marr wrote on Twitter on Friday.
“Andy will be remembered as a kind and beautiful soul by those who knew him and as a supremely gifted musician by music fans,” he added.
Mike Joyce, who was drummer for The Smiths, described Rourke as “not only the most talented bass player I’ve ever had the privilege to play with but the sweetest, funniest lad I’ve ever met.” The musical legacy of his former bandmate is “perpetual,” Joyce said in a tweet.
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Rourke was with The Smiths from 1982 to 1987, performing on all four of the band’s studio albums: ‘The Smiths’ (1984), ‘Meat Is Murder’ (1985), ‘The Queen Is Dead’ (1986), and ‘Strangeways, Here We Come’ (1987).
He also had an impressive career after the group split up, playing with Smiths’ frontman Morrissey on his solo projects and with the likes of Sinead O’Connor, The Pretenders, Dolores O’Riordan, Badly Drawn Boy, Killing Joke, and guitarist Aziz Ibrahim.
In 2005, Rourke put together a supergroup called Freebass with fellow bassists Peter Hook, who previously played with New Order and Joy Division, and Gary “Mani” Mounfield of the Stone Roses and Primal Scream. Among other things, he also worked as a DJ on the popular British rock radio station XFM, now known as Radio X.
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A viral video emerged last week of Donald Trump dancing to a Village People song at his Florida estate
Village People, the disco act best known for 1970s hits like ‘YMCA’ and ‘Macho Man,’ has issued Donald Trump with a cease and desist order to stop using the band’s music at political events without express permission, according to a legal filing. The former US president has frequently played Village People songs at campaign rallies throughout his political career.
Last week, a video emerged online showing Trump dancing to a Village People tribute act during a poolside dinner at his Mar-a-Lago estate in Florida – leading to the band’s management issuing Trump with a legal request to abstain from using Village People intellectual property at any future events.
“The performance [in the viral video] has, and continues to cause public confusion as to why Village People would engage in such a performance. We did not,” wrote the band’s manager Karen Willis, the wife of singer Victor Willis.
Willis added that Trump’s use of Village People music was previously “tolerated” by the band but that it has decided to issue legal proceedings to prevent further use of its popular songs, for fear that it could be construed as an “endorsement” of Trump’s political ambitions. She also explained that the video had created confusion among fans who mistakenly thought that the real Village People had performed at Trump’s Florida estate.
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Trump’s legal team has issued a withering response to the band’s cease and desist request. Attorney Joe Tacopinca told TMZ on Monday that, “I will only deal with the attorney of the Village People, if they have one, not the wife of one of the members. But they should be thankful that President Trump allowed them to get their name back in the press. I haven’t heard their name in decades. Glad to hear they are still around.”
Village People music, particularly the song ‘Macho Man’, has been a regular soundtrack to Donald Trump’s political rallies in recent years.
Singer Victor Willis indicated in a post on social media two years ago that while Village People music is intended to be “all-inclusive,” its use by Trump has been problematic. “We’d prefer our music be kept out of politics,” he wrote in February 2020. Willis later requested that Trump stop using his band’s music in June 2020, following reports that then-President Trump intended to use the US military to stamp out Black Lives Matter demonstrations across the United States.
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Drew Barrymore is stepping down as host of this year’s MTV Movie & Music Awards, due to be held on Sunday, in solidarity with the ongoing strike by the Writers Guild of America (WGA). The actress has agreed to host the ceremony next year instead, Variety reported.
Although the MTV awards are set to go ahead without a host, Variety said that arrangements for the show are in constant flux as producers are unsure which of the presenters, nominees, and guests will be willing to appear.
Organizers have already scrapped the red carpet as well as interviews that were supposed to take place before the ceremony.
In a statement quoted by Variety, Barrymore said she had “listened to the writers, and in order to truly respect them, I will pivot from hosting the MTV Movie & TV Awards live in solidarity with the strike.”
The actress added that “everything we celebrate and honor about movies and television is born out of their [writers’] creation,” and revealed that she is “choosing to wait” until a solution is reached on fairly compensating writers for their craft.
Although Barrymore will not be present at the live event in Santa Monica, California on Sunday, she is likely to appear in several pre-recorded short films created for the telecast.
Unions representing writers working in Hollywood and beyond officially began a strike on Tuesday. The move comes amid a dispute with major studios such as Paramount and Universal over working conditions and the shift brought about by the rise of streaming services such as Netflix and Amazon.
Hollywood writers go on strike
The WGA has complained that its members are being “devalued” and have received reduced pay despite significantly more movies and TV shows being in production than ever before thanks to streaming.
Aside from increased pay, the WGA has issued a list of demands to the Alliance of Motion Picture and Television Producers (AMPTP), which represents Hollywood’s major studios. Among them is a request for guarantees that scripts would not be generated using Artificial Intelligence, and that writers would not be asked to edit or rewrite screenplays generated by such technology.
The current strike is the first work stoppage in the US entertainment industry in 15 years. The previous writers’ strike in 2007 lasted for 100 days and ultimately cost Hollywood an estimated $2.1 billion.
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